Tuesday, August 1, 2006

Profile: Cheeky Monkey

By Susan Regier

After two and half phenomenal years selling unique and hard to find maternity, baby, and toddler gear online, the Cheeky Monkey has found the ideal store front location and have opened its child-friendly doors at 590 Oxford Street (at Adelaide).

“The goal from the beginning was to have a store front,” said owner Krista Williamson. “It’s taken us almost three years to find the right location and we’re excited that we’ve finally found the perfect spot.”

In March 2004, the Cheeky Monkey was launched online with a small, five-page site. Since that time, sales have grown exponentially. Williamson, a former financial planner, has become an expert Web developer by necessity. After expanding their product line, the site now contains over two hundred pages of products geared for moms, dads, and babies, and receives more than 25,000 unique visitors each month.

The Cheeky Monkey, named after her precocious son, Connor, carries unique items that resolve problems. “Feeding, sun protection, sleeping, and crying are very big concerns for moms – so we carry everything they could ever need to alleviate those concerns,” said Williamson. For many of their products, they are the only local distributor.

Cheeky Monkey’s products are still available through their Web site and at local community events, fairs, and workshops. But customers, who have driven across the province to attend their workshops, wanted a location to shop at regularly. Their store will allow for more instructional classes, including the free “Babywearing” classes.

Williamson spends countless hours searching for new and unusual products, preferring products created by other small businesses. And her endeavours have paid off...the Cheeky Monkey has been featured in Chatelaine Magazine, Pregnancy Magazine, and Pregnancy Buyer’s Guide.
Stopping in at the Cheeky Monkey is like dropping by a friend’s…welcoming and relaxing for the entire family. The Cheeky Monkey is open Monday through Wednesday from 10:00 a.m. to 6:00 p.m., Thursdays and Fridays from 10:00 a.m. to 7:00 p.m., and Saturdays from 10:00 a.m. to 6:00 p.m.

For more information, visit www.cheekymonkey.ca.

Susan Regier is the publisher/editor of Networking Today and owner of Vantage One Writing, a professional writing service for businesses. (519) 471-8726 E-mail: susan@vantageone.ca Web site: www.vantageone.ca

Published in Networking Today, August 2006.

Be a Substitute

By Jennifer Murray

We all know how important it is to network and get your face (and company) out there. It’s refreshing as a small business owner working from home to get out and learn about the businesses in my community as well as talk about what’s happening with my business.

It may feel weird (a good kind of weird) to be the new kid on the block or a new individual at a networking group. The good part is the attention of course, when the spotlight is in your corner; nothing more obvious than as a substitute for a regular attendee.

Referral groups in this city are abundant (see Networking Today’s Networking Groups). They can really work for certain businesses. Every Friday morning I start my day with The Networker$ and enjoy the membership as well as the referrals. We are committed to attend every meeting with the caveat that we send a replacement if we cannot; as is the case with most of these groups.

As a replacement, you promote the person you are presenting at a specific time often saving your own company commercial for later in the meeting. Regardless, you have opportunity to network with individuals you may not normally have access to. In the last edition of Networking Today, Maria Marsala, offered tips on discussion items at a business table over a meal (see Questions to Ask at a Meeting that Includes a Meal). Very useful information for networkers, especially those in a substitute position at a table of routine individuals. Embrace the spotlight and engage in the table conversation. You never know when you may call on the individuals at your table or vice versa.

To entrepreneurs looking for a replacement; create a path of success for your substitute. Here are some tips:

  • Make sure the sub knows your sixty-second commercial (a written version is best).

  • Provide an agenda of the session (include when the networking should happen).

  • Set out any rules of the group pertinent to the agenda (especially when she can talk about her business).

  • If available, share the group’s Web site address for reference.

  • Let her know if you want feedback on the session.

Being a substitute is fun. Most people are keen to talk about their business to a fresh pair of ears and subsequently to listen a little about what your work passion is. So, the next time someone asks you if you’re willing to substitute for a 7:00 a.m. networking meeting don’t think of the hour, think of all those people you didn’t even know are up and about all ready.


Jennifer Murray, proprietor of The Nimble Assistant is a virtual assistant providing administrative services to small businesses in Middlesex County. With eight years of experience and being able to manage multiple tasks with various schedules, Jennifer provides proficiency in a range of office services. Visit www.TheNimbleAssistant.com for more details.

Published in Networking Today, August, 2006

Six Models for Building a Client Franchise

By Andrew Sobel

"How do I build a following?"

"How can I increase my leadstream?"

"How do I create a brand for myself in the marketplace?

These are important questions, and I get asked them frequently. The answer to all three is…it depends. There is no one right approach to building a client franchise, no single model that works for everyone. It depends on your interests, your personal and professional strengths, and even where you live. But there is a science to it.

In studying hundreds of highly successful professionals over the years, it's clear to me that there are six distinct network- or brand-building models that you can follow. These models overlap and they can be complementary to each other. But I find that most people "major" in just one of them and "minor" in a second because few of us have the skills and time availability to successfully pursue them all. Let's examine each of these, listed in order of approximate prevalence.

1. Industry Focus

Some professionals succeed by becoming industry experts. One client of mine, for example, runs the automotive group for a major consulting firm. The "pond" he fishes in consists of just a few hundred senior automotive industry executives around the world. He only works for automotive companies and their suppliers. He lives and breathes the industry, attending trade shows and industry events, showing up at annual stockholder meetings, writing articles about the future of the business, and so on. He is sometimes quoted in the press as an "industry expert." He has a broad base of knowledge about all the key functions of an automaker – manufacturing, marketing, sales, purchasing, and so on – although he's not a truly in-depth expert in any of them. Because his industry is global, his consulting practice is also global. Because of his knowledge and reputation, he is sought after by key figures in the industry, and he is able to get meetings even with automotive executives whom he doesn't know.

From a personal perspective, an industry focus can be very attractive because it gives you the opportunity to work with clients across a range of issues. It's also easy to figure out who your target clients are!

2. Functional or Product Focus

This is another common route to successfully building a client franchise. Instead of focusing on an industry or well-defined set of clients, you major in a skill area, function, or product that can be used by a variety of clients in multiple industries. I have an investment-banking client, for example, who is an expert in high-yield debt. He knows everything there is to be known about junk bonds, and he works with virtually any corporate client of his bank, depending on whether or not this product is of interest to that client at a particular point in time.

Another client of mine is an authority in change management, and again, she works with clients in many different industries and geographic locations.

This network-building model is often linked to number 3 – a focus on creating intellectual capital – because notoriety around your chosen function, product, or practice area is a key to success.

Industry experts often also have a functional or expert skill set – it's a question of breadth versus depth and relative emphasis. When you pursue this model, you really go deep into your specialty.

This model is attractive because you possess a clearly defined area of expertise which is needed, potentially, by almost any client in the world. You're not sunk, either, if a particular industry is in the doldrums.

3. Intellectual Capital Focus

All service professionals need to develop and accumulate intellectual capital – ideas, insights, frameworks, and concepts – that clients find valuable. However, some will make this a primary focus for building an inquiry stream from clients. To a great extent this is my own strategy: I devote considerable energy and time to research, and I have published extensively on the topic of developing enduring professional-client relationships. When you have an intellectual capital focus, you create interesting ideas, get them out into the marketplace through books, articles, speeches, etc., and then see who is interested.

The beauty of this model is that if you are successful, clients will contact you – you will rarely if ever have to cold-call, prospect, or even spend much time networking. On the downside, your ideas do need to have some real sizzle in order to rise above the clutter. As I said, while all professionals will do some intellectual capital development, a relatively small percentage will use this as their main client development model.

These last three models often complement the first three:

4. Large Client Focus

Have you known a lawyer, consultant, or advertising executive who spends most of her time working for just one major client? Some professionals, who tend to be very relationship focused, get to know a client extremely well, build an internal network with multiple buyers at that client, do good work, and never leave. In large professional firms, having a single client like this can really propel your career.

Sustaining a multi-year, multi-million dollar relationship with a large corporation takes a particular set of skills, however. You generally have to be highly credible with top executives but also able to build bridges at middle management levels. You have to have the patience and tenacity to survive reorganizations, firings, and the inevitable ups and downs that will occur. In my opinion, only a minority of professionals is capable of this, especially at the CEO level, but if you can manage to build this type of flagship client, you will – among other things – benefit from low selling costs and little downtime.

Often, industry focus and large client focus are combined.

5. Social Networking Focus

Some professionals – usually extroverts – excel at social networking. They are always "in the flow," hosting dinners, joining associations and clubs, going to cultural events, attending various happenings, and getting involved in non-profit causes. They are also good at using these connections to connect with decision makers in prospective client organizations. You can have a social networking focus almost anywhere, although I have noticed this model is more prevalent in Europe and Latin America.

Don't underestimate how valuable this approach can be. Years ago, when I moved to London to help start my firm's office there (as a lowly associate), one of the partners procured the first two flagship clients of the practice through his wife's social connections. These clients became the bedrock of the new office, ensuring its rapid success.

6. Geographic Focus

In a world where functional specialists may fly all over the world to work with clients in far-flung locations, there are still geographically-oriented business communities. If you live in Houston, Atlanta, Rome, or Budapest there are many opportunities to develop roots into the local community and focus on potential clients in your city. Of course you'll bring some functional or industry expertise, but a distinct geographic focus can be a valuable complement to the other five models. Some firms even do this explicitly, and have generalists build local business relationships, which are then served by bringing in the right experts from functional and industry practice groups. In the largest cities; e.g., New York and London, you may be able to pursue both a geographic focus with either an industry or functional model.

To summarize the 6 models:

1. Industry Focus

2. Functional/Product Focus

3. Intellectual Capital Focus

4. Large Client Focus

5. Social Networking Focus

6. Geographic Focus

Often, these six models are combined into natural clusters. For example:

  • Industry + Large Client
  • Functional/Product + Intellectual Capital
  • Geographic + Social Networking

Of course, I'm sure we could find a financial services expert, specializing in trading systems, who lives in New York and only works for banks in the Big Apple...and loves giving large dinner parties and taking people to the Lincoln Center. But that's slicing things awfully thin. The critical success factors for each model are really somewhat different – each requires a particular set of skills and strategies to succeed – and to do really well at just two of the six is itself a challenge for most of us.

These models are intuitively obvious. You cannot do all of them well, however, you need to pick one or two paths that fit your professional skills and personality especially well. What's important is to make your choices explicitly and then develop the right implementation strategies to pursue them.


Andrew Sobel is the leading authority on client relationships and the skills and strategies required to earn enduring client and customer loyalty. He is coauthor of Clients for Life: How Great Professionals Development Breakthrough Relationships (Simon & Schuster). He can be reached at (505) 982-0211 or by e-mail at andrew@andrewsobel.com www.andrewsobel.com

Published in Networking Today, August 2006.

Media Darlings: The Top Ten Do’s & Don’ts of Working with the Press

By Susan A. Friedmann, CSP

There’s a saying in the newspaper business: Advertising is expensive – but editorial is priceless! This simple phrase speaks to the fact that readers trust and value any information they read in an article or column far more than any data they glean from an advertisement. Even when the facts presented in an article and an advertisement are identical, the results are the same. Positive editorial coverage is worth its weight in gold.

Yet many exhibitors don’t know how to work effectively with the media. I hear it all the time – from both sides of the aisle. Exhibitors wring their hands in despair when not a single word about their new products show up in the trade publications – and reporters get irritated, frustrated, and downright disgusted with those exhibitors who seem to go out of their way to make getting a good story possible. It’s a no-win situation – but it doesn’t have to be!

Here are ten do’s and don’ts about working with the media at a trade show. Remember, the press is not your enemy! Reporters have a job to do, and nine times out of ten, it’s in your best interest to help them do it. You both win – they get good copy for their story, and you get editorial coverage.

Do: Do your homework before the event. Develop several newsworthy angles that showcase your message. Emphasize timely information, such as industry trends, statistics, new technology or products, do-it-yourself tips, techniques or strategies, and useful advice. Human interest stories are great because they allow writers to put a “face” on what could be a dry nuts and bolts story.

Don’t: Decide what story the reporter is going to write before they even get to the show. Sure, you might have all these great human interest angles or wonderful quotes, but if the reporter is trying to put together a succinct, “just-the-facts-Ma’am” story, that’s just extra noise the writer doesn’t want or need. Listen to what the reporter is asking for, and provide that.

Do: Build a working relationship with the press. Get to know the editors and writers. Volunteer to be a resource for them. Reporters keep “source lists” – people who are informative, friendly, and quotable. That’s where they turn first when they need to write a story on a particular topic. You want to be on that source list.

Don’t: Snub the little guy. Just because someone is writing for the Omaha Chamber of Commerce today doesn’t mean they won’t be editing the most prestigious trade journal tomorrow. Professionals move in the media with amazing speed and regularity – but they take their memories with them. Burn a reporter when they’re nobody, and they’re going to remember when they’re somebody!

Do: Have a good press kit. Include interesting and timely information; a one-page company bio sheet – corporate structure, executive staff chart, sales figures; complete product information – specs, distribution methods, pricing; good product photos or links to online FTP sites where photos can be found; key contacts. Everything must be accurate and verifiable. Unique packaging is good if you’re unknown, otherwise, don’t bother.

Don’t: Pad your press kit with tons of “fluff.” Short and to the point is much better. Avoid gimmicks, head shots of your CEO, outdated, false, or exaggerated information. Misleading statistics can be the kiss of death – give context for all numbers. Standard sized folders or smaller is best, as these easily fit into bags and briefcases.

Do: Make every effort to spread the word. Coordinate with show organizers at any media events they host, and make sure that plenty of your press kits are available in the media room. Post all relevant information online, so information can be accessed after the event. Hold press conferences when appropriate.

Don’t: Hold a press conference “just because.” Press conferences are specifically for major announcements, new product introductions, but only if they are truly new or improved, or general industry trends – what’s hot and what’s not. If you host a poorly organized event when nothing newsworthy is shared, you’ve just irritated a whole room full of reporters. Not a good idea.

Do: Keep your promises. If you schedule an interview, be available and on time. If you arrange to have materials sent to a reporter, make sure they’re actually sent. Promised photos should be as described. Reporters work tight time frames, so when you fail to deliver what they’re expecting, they don’t have time to come back looking. They’ll move on to another, more accommodating source.

Don’t: Assume that the reporter knows everything about your industry, especially if they are from a general interest publication. Provide background data, give real-world examples, and avoid industry specific jargon. Spell out acronyms at least once, and explain the relevance of any awards, certifications, or honors you may be discussing.

Susan A. Friedmann,CSP, is The Tradeshow Coach, Lake Placid, NY, author: “Meeting & Event Planning for Dummies,” working with companies to improve their meeting and event success through coaching, consulting and training. For a free copy of “10 Common Mistakes Exhibitors Make”, email: article4@thetradeshowcoach.com; Web site: www.thetradeshowcoach.com

Published in Networking Today, August 2006.

Got Feedback? Read Your Audience

By Karen Susman

Imagine a world without feedback. You meet with someone across a table at a café. You ask him a question. Not only doesn't he respond verbally, but his face is a total blank and his hands remain in his lap. You'd wonder if you were heard and understood. You'd wonder if your companion agreed or disagreed, was delighted, or angry. You wouldn't have an inkling. You'd wish he'd given you a sign of life, some feedback.

When you get up to speak in front of a group, you need feedback, too. You might argue this point as you pray that you can just get through your talk, ask for questions, get no takers, and sit down. You hope no one disagrees, is bored, or has a question that might stump you.

Trust me on this. You want to get feedback from your audience. No response is not good news.

One way to get feedback is to watch for non-verbal clues. You might question how you can give a presentation and watch the audience at the same time. This is one multi-task you must and can develop. After all, if you can talk on your cell phone and simultaneously drive in rush hour traffic and drink a soy latte, you can speak, observe, and tweak at the same time.

First, read or analyze your audience before your presentation. What do you know about them, their motivations, educational level, and gender? Ask yourself a few questions.

1. What is your audience's degree of interest in your topic?

2. What is their attitude toward you, your company, your industry, your age, your gender, and your topic?

3. What does your audience know, or think they know, about your topic?

4. Are these people volunteers or captives? Did they sign up to hear you or were they forced to attend?

5. What might the audience need to know about your topic?

6. How can your topic benefit your audience?

7. What are the expectations of those who invited you to speak?

8. What are the hot buttons or issues you need to address or avoid?

9. Why are you speaking?

10. What should you wear that will be appropriate and not detract from your credibility or content?

There are additional demographic questions, but these are a start. (If you'd like an extensive list of pre-presentation questions, email Karen@karensusman.com.)

To find the answers to the above and other questions, talk to the person who invited you to present. Talk to the decision makers. Do a pre-session survey of audience members via email.

Do on the fly analysis right before your presentation. If there is a session prior to yours, sit in on it to get a feel for the audience's humor and concerns. Talk with your audience and get a feel for their mood, concerns, issues, and attitude toward your topic.

During your presentation, stop, look and listen.

Stop from time to time to look at your audience members and watch their body language. Are they looking away from you? Are they carrying on a conversation with another attendee? Are they reading the newspaper? Are they using their computers? These are all bad signs.

One other clue that you've lost your connection with the audience is that they don't respond to your questions or requests. If they won't participate in group activities or exercises, you've lost them. If they are fleeing, bored, sleeping, or chatting you've lost them. If you ask, "Are there any questions?" and no hands go up, this doesn't signal you're home free. This is a sign the audience isn't engaged with you and your topic.

What to do:

1. If you feel the audience's energy and attention lagging, change your approach right now. Do something dramatic. Drop your books.

2. Gesture broadly. Walk forcefully. Talk louder, faster, and with more emphasis? Slow down, whisper, stop talking all together.

3. Move toward your audience. Lean in. If you're seated, stand up.

4. Plant questions ahead of time in the audience to get the ball rolling.

5. Ask people to stand up and stretch.

6. Lead them in an exercise.

7. If people won't participate in an activity, be sure your instructions are clear. Explain the purpose of the exercise. Promise not to embarrass anyone and then keep your promise. Be patient.

8. Repeat.

9. Rephrase a question.

10. If no one has a question, prime the pump with, “Often people ask me about..."

11. Or, ask the audience a question of your own. For instance, "What's your opinion on the best way to get teams to work together?"

If you remember to have a conversation with your audience, you can watch for verbal and non-verbal feedback.

Feedback: don't leave home without it.


Karen Susman is a Speaker, Trainer, Coach, and Author of 102 Top Dog Networking Secrets. Karen works with organizations that want to maximize performance. Programs include Humour at Work; Balance In Life; Networking Skills; Presentation Skills; and Building Community Involvement. Order new guidebooks on humour, networking, time management, and community involvement by calling 1-888-678-8818 or e-mail Karen@KarenSusman.com.. www.KarenSusman.com.

Published in Networking Today, August, 2006

Telling Ain’t Selling

By Abhay Padgaonkar

"For every action, there is an equal and opposite reaction." – Sir Isaac Newton

A fundamental question in selling is not why people sell, but why people buy.

It is well known that people buy for their own reasons – not for the seller’s. In fact, their motivation to buy may have very little to do with the reasons why the seller thinks he or she should buy. When it comes down to it, people buy something to meet their needs or resolve the problems they are facing. According to Neil Rackham, author of SPIN Selling, people decide to buy when “the pain of the problem and desire for a solution have been built to the point where they are greater than the cost of the solution.”

A good sales professional can help customers come to that realization. But it doesn’t happen as easily as you might think. Despite the fact that most people learn the basics of conducting needs analysis, customizing solutions, and linking benefits to pain in their Sales 101 class, when they are out in the real world, they forget to bring these classroom lessons to life and somehow their competence, composure, and confidence evaporates. Faced with self-induced, pressure-filled selling situations, they confuse telling with selling.

Equal and Opposite Reaction
As dairy farmers are apt to say, “Cows don't give milk. You have to take it from them.” The same is true with selling. Nobody just gives you a sale. You have to take it. But how you “take it” is very counterintuitive. A natural tendency of most sellers is to rush in. And as the Newtonian principle outlines, the equal and opposite reaction on part of the buyers is to shut them out.

Like milking a cow, selling can be a delicate operation. While a customer probably won’t threaten you with a hoof, you’re still faced with the fact that the harder you push the more push-back you get. Why? As President Truman once said: “The best way to give advice to your children is to find out what they want and then advise them to do it.” Nobody likes to be told what to do – not even children. Imagine going to a doctor who gives you the same prescription he gave the previous patient because it worked. By not listening, by not being inquisitive, by not clarifying assumptions, sellers come across as not caring – or caring more about themselves – and perpetuate the stereotypes of an arrogant, pushy salesman we all love to hate.

Breathing Your Own Exhaust
So, if you can’t tell prospective buyers how good your products and services are for them, how the heck are you supposed to sell? Start by understanding how not to de-sell.

Most salespeople hate dead air. They become anxious. So they make every effort to fill the void by talking incessantly about what they know the most – their own products and services. They get excited about the value they offer and start spewing the features, advantages, and benefits.

Unfortunately, the more they talk the more they are de-selling. And the more their customers’ eyes glaze over and heels dig in. Customers don’t want to be talked at and pushed. They want to be understood. The ancient Greek philosopher Diogenes had it right when he said “We have two ears and one tongue so that we would listen more and talk less.” As fundamental as this advice is, not talking can be very difficult for an enthusiastic sales professional.

The greatest conundrum in selling is this: You can’t sell without a relationship. And you can’t have a relationship unless you have sold and demonstrated value. You may be thinking that selling-by-listening only works in one-on-one selling, and not in more complex, B2B selling. You would be wrong. No matter how complex the sale, you’re still dealing with real people who are making decisions – not faceless corporations. They have the same emotions as anyone else: ambition to do better, fear of failure, confusion with uncertainty, need to be recognized, etc.

Listen and Learn
If telling isn’t selling, then what is? What actions can one take to break the vicious cycle and not to generate an undesirable, equal and opposite reaction? Counterintuitive as it sounds, the more successful salespeople are those that ask the most questions. Not just any questions, but smart questions posed in a systematic way. Neil Rackham, in his SPIN Selling Fieldbook, eloquently lays out a systematic approach to asking four types of questions as follows:

1. Situation: Finding out basic facts about the existing situation and establishing an overall context. This is ideally done through prior research so as not to bore the buyer to tears because they get very little value out of it.

2. Problem: Asking about the problems, difficulties, and challenges the buyer is experiencing with the present situation. People buy only when they have needs and needs almost always start with a dissatisfaction with the status quo. Follow-up questions identify, clarify, and expand the buyer’s implicit needs.

3. Implication: Understanding the consequences and impacts of the situation, thereby transforming implicit needs expressed as problems into explicit needs. They build the significance and seriousness of the problem so that it is large enough to justify action.

4. Need-Payoff: Checking and assessing the value and usefulness of a solution in a positive and constructive way. They develop the buyer’s desire for a solution and move the discussion toward action and commitment.

If you thought that asking questions in this manner is simple, think again. It is enormously difficult to have the confidence and patience to step through these without getting ahead of yourself. It requires tremendous planning, preparation, and practice. And most importantly patience.

Patience, My Dear
What makes sellers anxious is the pressure they put on themselves to persuade the buyer. When a sale is seen as a conquest, persuasion naturally becomes the modus operandi and telling appears to be the fastest, easiest, and safest way to the victory lap. However, if the sellers adopt a frame of mind to truly understand the buyer’s point of view, they are likely to become less anxious. If they seek first to understand, then to be understood, they will be more comfortable in asking questions. Armed with the answers to these questions, they will have gained better insights into the buyer’s world and will have earned the right to help them with a solution.

French philosopher Voltaire was right when he said many centuries ago: “Judge a man by his questions rather than by his answers.”


A management consultant, author, and speaker, Abhay Padgaonkar is the founder and president of Innovative Solutions Consulting, LLC, which provides advice on turning strategy into action to major clients such as American Express.

Published in Networking Today, August 2006.

“Reality TV” versus Real Staging

By Catherine E. Brown

The so-called “reality” home staging television shows, such as “Sell This House” and “Designed to Sell,” have greatly raised awareness of the need for staging to give a property an edge over the competition. These programs show that a staged home will sell faster and for more money, however, they may have given a false perception of what staging is and what it is not.

It’s true that a Canadian Staging Professional™ often has a team of skilled people who can be counted on to help prepare the house for sale; a CSP does not have an army of trades at her disposal who are “not-for-profit”! That “$2,000 (U.S.) budget” doesn’t include labour rates for all those workers! And personally, I don’t know where I can buy enough paint to cover an entire house for $40.00, but I’d love to find out!

How accurate is that $2,000 budget? A 2005 Royal LePage House Staging Poll conducted by Maritz Research illustrates that 54% of Canadians think that $2,000 or more is the appropriate amount to spend in preparing a house for sale, with a surprising 25% willing to pay over $5,000!

Here are a few facts to clarify what Staging is and is not for the real world!

Staging Is…

§ Staging is not just for homes that need a lot of TLC! Even the best homes can benefit from professional staging recommendations, such as furniture placement, traffic flow, colour selection, and lifestyle selling techniques. Details matter!

§ Staging begins by providing realtors and sellers with a complete analysis of the property and recommendations to create the all-important “WOW” factor.

§ Staging looks at the home with all-important objectivity and “buyers’ eyes.”

§ Staging is like applying makeup; when done skillfully, it looks natural.

§ Staging will always be less than a price reduction or the cost of the few full-colour ads in the newspaper.

Staging Is Not…

§ Staging does not mean painting everything off-white and stripping the house of its personality. Buyers won’t get excited over a bland house.

§ A Canadian Staging Professional will not offend or criticize the seller’s decorating taste or the way they live, unlike the brazen “real estate experts” on shows like “Designed to Sell” or “Sell This House,” however, a CSP can tactfully make recommendations about issues in the home that a realtor may not prefer to mention.

§ Staging is not simply about packing away family photos and personal possessions.

§ Staging is not simply about painting the front door red, brewing fresh coffee, baking cookies, or setting out trays of chardonnay on the master bed. Contrived staging will only raise buyers’ suspicions.

§ Staging almost never involves knocking down walls or creating new doors/windows where there were none as on “Designed to Sell” that's renovation and decorating.

§ Staging does not have to cost a lot. A consultation by a Canadian Staging Professional™ starts at $175.00 for homes under 2,000 square feet. Do-it-yourselfers may then choose to do the suggested preparation themselves, or those with time constraints may enlist the help of a CSP™ to manage the project for them.

Buyers look for a home they can envision themselves living in, and statistics show 63% of Canadian buyers will pay more for a move-in-ready property.


CSP’s understand it’s often difficult for sellers to justify spending money on the house they’re leaving, but a modest investment often reaps huge rewards.


Catherine E. Brown is an Accredited Staging Professional and owner of Staged to Move. Catherine is committed to helping clients sell their home for the best price in the least amount of time. She can be contacted at (519) 868-7171 or by email at catherine@stagedtomove.ca. Visit her Web site at www.stagedtomove.ca.

Published in Networking Today, August 2006.